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Should Broadway reserve some theaters for new work instead of profitable revivals?
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Why this dilemma matters
These choices are rarely between good and bad — they are between different distributions of harm. Choosing “Yes. Theatre dies if it only repeats itself” prioritises rules that hold everyone the same; choosing “No. Revivals keep audiences and workers employed” gives more weight to choices that account for difference.
Worth asking yourself
- What does this say about what we collectively value?
- Whose interests should count more here, and why?
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